(Enter)

Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.

Neon Parc

IG, FB
Menu Close
Colleen Ahern
Dan Arps
Damiano Bertoli
Trevelyan Clay
Dale Frank
Teelah George
Irene Hanenbergh
Kait James
Josey Kidd-Crowe
Paul Knight
James Lynch
Taree Mackenzie
Burchill / McCamley
David McDiarmid
Moya McKenna
Rob McLeish
Viv Miller
Elizabeth Newman
Nabilah Nordin
Jamie O'Connell
Kieren Seymour
Noël Skrzypczak
John Spiteri
Darren Sylvester

Rob McLeish  CV

Born 1976 Naarm/Melbourne, Australia. Lives and works in Naarm/Melbourne, Australia.

[Enquire]
Close
Rob McLeish, 'Blood Visions 1', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 3', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Bound Composition (BEACHCOMBER)*, 2022, epoxy resin, stainless steel, 91 x 12 x 11 cm.
Rob McLeish, 'Blood Visions 4', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 5', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 6', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 9', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Bound Composition (BEACHCOMBER)*, 2022, epoxy resin, stainless steel, 91 x 12 x 11 cm.
Rob McLeish, * Blood Visions 12*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Bound Composition (BEACHCOMBER)*, 2022, epoxy resin, stainless steel, 91 x 12 x 11 cm.
Rob McLeish, *Blood Visions 14*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Blood Visions 15*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Blood Visions 16*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Bound Composition (BEACHCOMBER)*, 2022, epoxy resin, stainless steel, 91 x 12 x 11 cm.
Rob McLeish, *Blood Visions 17*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, *Blood Visions 18*, 2022, Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size), Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 2', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob McLeish, 'Blood Visions 7', 2022. Pencil on paper (Lana, Dessin 220, FRANCE), 42 x 59.4cm (drawing size). Framed in Vic Ash with non-reflective UltraVue UV70 glass.
Rob Mcleish, *Blood Visions 10*, 2022, pencil on paper, 66 x 49 cm.
Rob Mcleish, *Distortion 53*, 2020, pencil on paper, 66 x 49 cm.
*Distortions*, Neon Parc Brunswick, 2022, installation view.
Rob Mcleish, *Distortion 33*, 2020, pencil on paper, 66 x 49 cm.
Rob Mcleish, *Distortion 43*, 2020, pencil on paper, 66 x 49 cm.
*Distortions*, Neon Parc Brunswick, 2022, installation view.
Rob Mcleish, *Distortion 10*, 2020, pencil on paper, 66 x 49 cm.
Rob Mcleish, *Distortion 7*, 2020, pencil on paper, 66 x 49 cm.
*HEADLESS*, Gertrude Contemporary, 2021, installation view.
Rob McLeish, Water Statue (1), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cm
Rob McLeish, Water Statue (5), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cm
Rob McLeish, Pool Bride (17), 2017, Pencil, correction fluid and collage on paper, 43 x 35.5 cm
Rob McLeish, Xenograft Couture (Rigged Composition In Black, 001), 2018, Epoxy resin, steel, 320 x 160 x 135 cm
Rob McLeish, Thanks Criticism! (Citrus Drift), 2016, Stainless steel, epoxy resin, twine, 188 x 260 x 70 cm
Rob McLeish, Correction, 2015, Epoxy resin, 60 x 65 x 240 cm
Rob McLeish, Thanks Criticism! (Citrus Drift) (Detail), 2016, Stainless steel, epoxy resin, twine
Rob McLeish, Hanging Arrangement, 2017, Epoxy resin, 155 x 85 x 16 cm
Rob McLeish, Study For A Waste Mold, 2008, Screen print on paper, 70 x 50 cm
Rob McLeish, Automatic Faggot For The People, 2010, Stainless steel, 16 x 120 x 25 cm
Rob McLeish, Lock Up Your Concepts, 2011, Stainless steel, 186 x 94 x 5 cm.
Rob McLeish, Untitled, 2018, Archival digital UV inkjet print, pencil and correction fluid on paper, 31 x 20.5 cm
Rob McLeish, Sinkhole Holiday (Suspended Model In Black, 001), 2018, Epoxy resin, steel, 175 x 35 x 37 cm
Rob McLeish, Riverbed, 2018, Stainless steel, 195 x 185 x 54 cm