Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Janet Burchill, born 1955 Naarm/Melbourne, Australia.
Jennifer McCamley, born 1957, Meeanjin/Brisbane, Australia.
Live and work in Naarm/Melbourne, Australia.
Janet Burchill & Jennifer McCamley, 'Attention (Simone Weil Project)', 2021–22. Silkscreen, synthetic polymer paint on canvas, 152 x 122 cm.
Janet Burchill & Jennifer McCamley, 'Poem of Force (Simone Weil Project)', 2021–22. Silkscreen, synthetic polymer paint on paper, 86.5 x 74.5 cm. Edition of 8 + 3 AP.
Janet Burchill & Jennifer McCamley, 'Factory Work (Simone Weil Project)', 2021–22. Silkscreen, synthetic polymer paint on paper, 86.5 x 74.5 cm. Edition of 8 + 3 AP.
Janet Burchill & Jennifer McCamley, 'The Definition of Now, (The Earth Reversed her Hemispheres)', 2021. Silkscreen on paper, 70 x 100 cm. Edition of 10 + 2AP.
Janet Burchill & Jennifer McCamley, 'The Definition of Now, (Definition of Now)', 2021. Silkscreen on paper, 70 x 100 cm. Edition of 10 + 2AP.
Janet Burchill, Collected Works of Emily Dickinson (884), 2015
Synthetic polymer paint on hessian, glass, 5 panels, 64 x 92 cm each, 92 x 320 cm
Burchill/McCamley, The Definition of Now (4 degrees), 2016, Fabric tape, galvanised steel, copi rock, aluminium can, spirit level, Dimensions variable
Burchill/McCamley, Falling Water (2), 2015, Cement, dye print on fabric, car seat, 143 x 94 x 55 cm
Burchill/McCamley, Screen Drawing, 2016, Watercolour, film poster, enamel, 102 x 87 cm
Burchill/McCamley, Reflectors and Absorbers, 2016, Perforated aluminium, stainless steel, mirrored Perspex, rubber, 190 x 260 x 120 cm
Burchill/McCamley, Bricks and Buttercups, 2016, Neon, bricks, acrylic paint, vinyl, rope, 450 x 400 cm (approx)
Janet Burchill, Collected Works of Emily Dickinson (263), 2015, synthetic polymer paint on hessian, 8 panels, overall 184 x 283 cm
Janet Burchill, Collected Works of Emily Dickinson (515 circumference), 2015, Synthetic polymer paint on hessian, 6 panels, overall 276 x 124 cm
Burchill/McCamley, Gertrude Stein (from the Charlotte Moorman drawing series), 1994/95, Pencil and carbon on parchment paper, 70 x 50 cm
Burchill/McCamley, Figure A, 2016, Synthetic polymer paint on leatherette car seat, taxidermised pigeon, enamel on steel, 170 x 45 x 45 cm
Burchill/McCamley, Point Blank, 2016, neon, 122 x 180 cm
Burchill/McCamley, Hate, Kill, Falsity (Sturtevant, The Brutal Truth), 2012, Hessian and acrylic on moulded plywood, 135 x 86 cm
Burchill / McCamley,
Untitled,
Collage on photocopied graph paper,
(From the drawing series Social Economy, 2007),
42 x 73 cm
