Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Dave Hullfish Bailey,
Disturbance Instants (underbrush/ramping up),
2016,
Two framed archival pigment prints,
63 x 93 cm, 31 x 41 cm
Dave Hullfish Bailey,
Disturbance Instants (Maiwar 2012/war ponies 2016)
2016,
Two framed archival pigment prints, 63 x 93 cm, 31 x 41 cm
Dave Hullfish Bailey,
Crepuscular Imperative,
2016,
Three framed archival pigment prints,
22 x 31 cm each
Installation view
Installation view
Installation view
Installation view
Installation view
Dave Hullfish Bailey,
Welcomes to Country (Aboriginal Embassy 1972/Maiwar 2009),
2016,
Two framed archival pigment prints,
22 x 31 cm, 25 x 25 cm
Dave Hullfish Bailey,
Oahe (northern reach/October 15, 2016),
2016,
Six framed archival pigment prints,
31 x 246 cm total
Dave Hullfish Bailey and Sam Watson,
Maiwar Performance,
Single channel video, colour, sound, 9 minutes 9 seconds, looping display on a monitor,
Cameras: Peter Bonde, Dave Hullfish Bailey, Carl Warner,
Production editor: Carl Warner
Dave Hullfish Bailey,
Welcomes to Country (Aboriginal Embassy 1972/Oceti Sakowin 2016),
2016,
Two framed archival pigment prints,
31 x 41 cm, 25 x 25 cm
Dave Hullfish Bailey,
Sounds and waves (Aboriginal Embassy 1972/Maiwar 2009),
2016,
Two framed archival pigment prints,
22 x 31 cm, 25 x 25 cm
Dave Hullfish Bailey,
Standing Up (to/for generations),
2016,
Two framed archival pigment prints,
31 x 41 cm, 25 x 25 cm
Dave Hullfish Bailey,
Proto Flag (morning star prayer),
2016,
Ripstop nylon, three parts,
Installation dimensions variable
Dave Hullfish Bailey,
Disturbance Instants (between floods/between fires)
2016,
Two framed archival pigment prints, 63 x 93 cm, 31 x 41 cm
